Thursday, 4 August 2016

Dopamine, the ego and creativity

I found this article today which backs up what I've been thinking and saying about how fulfilling (or not) your life is, and how the ego needs sustained by methods to keep you motivated, and reading here shows how dopamine has an effect on what stimulates and fulfils people.and the best ways to achieve this.  Basically, low dopamine encourages addictions like shopping to make you feel good in the long term but creative interests provide a natural long term release to make you feel good and motivated by your productivity.  I think this sums up my debate of ego vs self belief well.

http://www.collective-evolution.com/2016/04/11/8-great-ways-you-can-increase-dopamine-levels-in-the-brain-without-pharmaceutical-drugs/

1. Don’t Get Addicted
“Many people get addicted to something because it gives them some kind of instant gratification – drugs, alcohol, sex, pornography, shopping, and other addictive behaviours actually have the opposite effect on dopamine levels in the long-term. In essence, when we get overly addicted to something, the ‘reward circuitry’ of our brain kicks into overdrive and we crave the ‘quick hit.’ This is not a sustainable solution for dopamine production, which can and should be done naturally.” 

What’s missing here is the fact that addiction is quite often a result of low dopamine, meaning addiction is more of an attempt to fix an already existing problem. In essence, “the underpinning of your addictive personality is a lack of fulfillment from within, with a resulting urge to achieve fulfillment through substances, objects, or events that relieve the inevitable pain – for a while.”(source)

“When we receive a reward of any kind, dopamine is released in our brains. Over time, this stimulus and release of dopamine can lead to learning. Researchers have recently found that how quickly and permanently we learn things relates directly to how much dopamine we have available in our brains. As we get rewarded over and over again for something, we learn that we should keep doing whatever that is very deeply, and it’s hard to unlearn those kinds of behaviours.” (source)

What this means is that low-dopamine is a response to a lifestyle which doesn’t offer much in terms of reward to the person living it. It may be a response to the environment you’re living in, the clothes you’re wearing, the tight budget you’re working within, the relationship choices you’ve made or have been made for you, or a result of trauma where there was no perceived reward. It’s very easy to understand how dopamine levels may appear low when we consider all the potentials leading to less-rewarding lifestyles and life-experiences.
What’s necessary then is less of a ‘don’t get addicted’ approach and more of an ‘increase the rewards in your life’ style of applied advice. Fact is, you’ll constantly feel less fulfilled through low dopamine when you’re not (or are unable to) fill your day with things that inspire and reward you. Meaning, the most effective protection against addiction and greatest advantage to high-dopamine levels is a defense against low-rewarding activities and an offence working towards rewarding actions, activities, and ultimately, a lifestyle of fulfillment and achievement.

Also, because addiction is most often rooted in past traumatic experiences, where emotions create a fight or flight response that becomes rooted in your core emotions, it’s vitally important to seek proper and effective help in dissolving past trauma. Doing so can only help you perceive more rewarding experiences in your life, rather than filtering experiences through a ‘traumatized’ awareness.

3. Create Something
“For us writers, painters, sculptors, poets, singers, dancers, and other artists, we can identify with this. When we’re in creative mode, we can become hyper-focused. As a result, we can enter a state called flow. Dopamine is the brain chemical that allows us to achieve this state. The lesson is this: take up a hobby or activity in which you actually create something tangible. Try something like arts, crafts, auto repair, drawing, photography, or something else that sounds interesting.” 

Sparking your creative drive is an effective way to increase your potential for feeling great, achieving goals and inspiring yourself through your accomplishments. However, it can also be a distraction from a feel-bad lifestyle, if it’s not maintained with a purpose in mind. Whenever you’re working on a project, creative or not, that truly inspires you, you’ll activate your ‘flow state,’ where time and space seem to stand still. So how to you determine what it is that truly inspires you?

The most important goal in revealing your most authentic creative energy is to remove the creative energies of other people from your life. So many of us look up to the creations of others, whether works of art or music, and their works or talents take up time and space in our own minds. This isn’t necessarily bad, but it can influence your own beliefs about what you can create. If you compare yourself to others and minimize yourself, you’ll repress your own creative ability. This can affect your dopamine levels, because if you can’t see your own creations as rewarding to you, as much as someone else’s, you’ll feel inferior and incapable.
One very effective way of neutralizing the influence other people have on your mind is to literally look at the negatives or downsides of their accomplishment. This isn’t to practice being a critic, but it can enable you to de-infatuate with their creative powers, helping you to stop minimizing your own. Once you recognize that your creative endeavors can exist on the level of those you admire, through practice (just like they did), you’ll increase your ability to see your own creations as meaningful and rewarding.

So, to avoid having to regularly boost the ego to be a happy person, get creative and accomplished and gain self belief.

Monday, 1 August 2016

Opportunities!!!

I'm absolutely done with my bread and butter work, I'm at the stage where I can hardly face doing it, it's soul destroying.  Its making me a person I don't want to be, arrogant and generally disinterested in people except for the deigned few.  I've had to put up with such crap and on Friday I was in tears with an arrogant arsehole photographer who had the audacity to click his fingers at me to show him to part of the venue he didn't know how to get to.  Seriously!!  London just can't come fast enough ,- get me out of Glasgow asap. 

Working in customer service is so demoralising. Managers pass the buck to front line staff, the public are arseholes who seem to think it's OK to demonstrate someone else's actions and put their hands round your neck and when foreign event photographers are clicking their fingers at you it's beyond acceptable. I'm a smart, motivated person and I'm now pushed past my limit.

So ahead of doing my styling courses I'm looking for the jobs I can seriously consider in a short enough time to come and they're blowing my mind!!  I felt sucker punched on Friday and now my mind is blown with the possibility of going from one extreme to the other, and I know I'm perfectly capable of it.  Life - you rollercoaster!!!

Take this opportunity:http://www.retailchoice.com/JobSearch/JobDetails.aspx?JobId=66094720&WT.mc_id=A_RE_IDPPC_MP0_ORG_0  and this one http://www.indeed.co.uk/viewjob?jk=00e4b4d9fedd7c52&from=myjobs&tk=1ap3cjvh317hj4kk

I just need the years experience under my belt.This is certainly pushing my motivation to keep moving in this direction, and back to the right level of work for me, a decent job with excellent pay with high calibre companies (still hanging on to the BBC memories, I know where I'm meant to be!)  At home I'm no longer being busy for the sake of being busy, but properly channelling my energies towards proper goals and feel more professional than I have - I have aims in mind and focus to get there (I always did have the focus to achieve, but it was the goal itself that was vague and uncertain).  This future seems like it's going to fit me nicely thank you very much.

Tuesday, 12 July 2016

Shoppist favourites

I recently became a Personal Shopper with new online personal shopping service Shoppist and have selected some more of my favourite clothes for my new clientele in addition to the pieces I've selected on my profile.  Shoppist is a personal shopper app whose job is to search online on behalf of the customer and get more relevant products sourced from the entire web.  Shoppist is for those who are tired of spending hours searching online and not being able to find the right product.

You can hire your personal shopper for free whose job is to search online on your behalf and curate most relevant products specifically for you out of entire shopping universe (Amazon, Flipkart, Jabong, Snapdeal, Myntra, Zovi, Fashionara and many more).
 

While shopping online, if you've experienced getting bombarded with too many irrelevant choices, keeping multiple shopping apps feels like a mess, you feel confused about the style that suits you and disappointment about  missing the most relevant deals then… Shoppist is the solution for you - currently available on Android playstore. (https://play.google.com/store/apps/details?id=com.shoppist.app).  The startup app was founded by IT Roorkee graduates with the vision to make shopping easier, developed and based in India

With this being an Indian based company, there are a lot of stunning items from that country including clothing and homeware.  I've always been attracted to the bright jewel colours of the clothing and I'm very struck by the style of the clothing so I'm highlighting that today.  The dramatic colours, the shape and cut of the dresses to give them such flowing movement are beautiful and the bright gemstone jewellery finishes the stunning look.
From top row left to right:
Anarkali party wear suit (light pink and beige)  £18.51
Bollywood Shilpa Shetty silk party wear lehenga suit (pink)  £19.44
Georgette anarkali party wear suit (black)  £13.88

Second row:
Bollywood style lehenga choli (white and pink)  £63.41
Bollywood style raw silk lehenga choli (pink)  £42.75
Bollywood style black and neon yellow
£62.56
£62.56
  £62.56

Jewellery:
gold-plated austrian stone kundan blue necklace set  £11.10
Gold-plated austrian- tone purple kundan necklace set with maang tikka  £12.38
Pota kundan maroon and green-gold finish necklace set  £9.71










Tuesday, 5 July 2016

The best of the Grad shows

I've been to lots of the graduate fashion, jewellery, costume an product design shows in the last several weeks and I'm posting images of my favourites. I've been to just about all in Glasgow, and indulged myself in a trip to London to see Graduate Fashion Week at the Old Truman Brewery in Brick Lane which was an exhibition and a half!!

First is a tiny selection of my absolute favourites.from Graduate Fashion Week:

The detail in the work on the shoulders of this jacket is brilliant and I love how this bright outfit completely comes to life when worn by a model in a shoot with as much energy as the vibrancy of the clothes



I loved these pieces which were the silhouettes of pieces from collections all done in voile to show just the design detail in the simplest way, they looked ethereal and ghost like to me.
Kelvin college in Glasgow is one of my favourites after I discovered the design talent and the tutor support a year ago, and I was really pleased to see the stunning designs this year.

Glasgow Caledonia University put on a great catwalk show with a lot of great designs.




Tuesday, 7 June 2016

Checkmate Behind The Scenes photos








Post Checkmate

I ran my first fashion show in nearly three years on Thursday 2 June and it went pretty well considering we had no rehearsal, there were too few models and make up artists.  Although I've been doing lots of invigilating shifts for bread'n'butter cash I didn't realise students would be concentrating on their graded unit pieces and other end of year work and unavailable to work on an event - doh! It was a low key show which I got through - I was pretty nervous before getting to the venue, setting up and running the show but once I got there and got into the work I was excited with the buzz.

Without a doubt I got quality over quantity and had a totally fantastic team, great backstage atmosphere and appreciation from the audience who were there.  So many people appreciate my vision and to be honest I'm bloody pleased with myself - there's been no textbook to follow in this career for me.  On the day, as Glynis (the choreographer and model) and I were discussing the concept, music and choreography I decided the way it was going was just to completely scrap any idea of this being close to a straight fashion show and go ahead and make it a performance piece and it worked wonderfully!  I conveyed the ideas I'd had for years and Glynis and the girls took it all on board and went with the flow - very improvised and it worked!

What I found difficult was having to communicate with many people needing to ask questions about different parts of the show and set up - it was switching from one train of thought, immediately jumping to another to communicate with someone else - from choreography to the backstage popup photography studio to sound tech to tickets! But it was such a buzz and an enriching experience .

I was congratulated on being to run a brilliant show, and one of the models who works in the venue was talking to me about running more shows there, and a couple of days after that someone I work with often on a bread'n'butter job and have been on a film with asked to join the team!!  Afterwards I had an odd feeling of plateauing, satisfied with my current level of achievement and waiting for the next motivation.  It was a weird feeling of not having someone I'm seeking to impress cos I'm the top dog!

The concept of the show was that Eris confronts the reality in a power struggle for everyman. The queen beats her opposition and releases the energy in people to achieve the potency of their own lives. The premise is the battle between the creative and corporate consumerism which the creatives ultimately win and take control of their future.














Tuesday, 31 May 2016

Making sense of styling - fashion psychology update

I'm still getting my head round the psychology of fashion and it's relationship with the ego, the characterisation of someone and fashion design as art.  As a stylist I'm not going to make people follow instructions about what should be in their wardrobe, I think they should have what's needed and wanted to put outfits together to enhance the person they are in a given situation, wearing clothes that suit their taste and reflect their lifestyle.  The starting point is to emulate the style of a favourite character in a similar scenario - visualise the person you want to be and use styling to create and develop that persona.  You want to take the essence of someone's energy and make it your own.

In trying to understand the nature of a shopaholic I see the use of clothing helps gain identity ie developing the ego.  The continued need for a lot of shopping reinforces that sense of self.  You need more individuality in a uniform environment like a corporate workplace or school - which is the time in your life you want to be individual but it would be more ideal if you got past that need once you've achieved self belief which is more difficult for some people.  I feel despondent when fashion is consumed by people who feel the need to constantly reward themselves to feel good - who can't express adequately by thoughts, feelings and actions and feel important via their core id.  Continually purchasing clothes is the best thing in their lives - that's my definition of retail therapy, the therapy being a means to gain positive reinforcement of their ego - they treat themselves to feel special because they don't have other adequate means to feel special, such as perceiving they're not loved, attractive, intelligent etc.  It sometimes seems this is the new salvation for unhappy souls.

Woman traditionally use fashion for recognition because men get recognition for their work talents automatically  Men traditionally receive recognition and expect it without doing any more than be themselves to get it.  The idea of "metrosexuals" is confusing to some guys, they don't get it.  The way I see it is in the context of manipulating society.  The hetero mans world just gets smaller so there's no place for him except the solace of his own headspace where he escapes by getting wankered on beer, fags and drugs..  He's rendered powerless by being made to be influenced by "metrosexuals".  Testosterone plays a part in motivation - if men are concerned  with focusing their energies on themselves and being approved of and appreciated they're not going to be asserive, defiant and rebel to become the authority figure.  This all goes towards calming defiance by realigning the priorities via manipulating the ego.

Lady Gaga's corralling the emos is why she's allowed and supported, it's not a genuine motivation to empower weaker people - once emos gain acceptance they'll probably lose their motivation and defiance.  I love LG's appreciation of high fashion and I see Couture as art.  The constant in your face marketing from the fast fashion industry makes me lose interest as it takes away what makes it special.  You can't be special every day - well, that's the point - it's filling a hole in the lives of people who need to be made to feel special every day because that's maybe all they have.  These are the folk who need to find a way to gain self belief beyond their image..  Once their needs are attended to and they don't rely on a quick fix consumer habit fashion can be serious once again.  Having watched a Vivienne Westwood interview I've found a great way to sum up my view: "Fashion is art and protest on the streets".

 William James, an American philosopher and psychologist who was also trained as a physician was one of the leading thinkers of the late nineteenth century and is believed by many to be one of the most influential philosophers the United States has ever produced.  In  The Sartorial Self: William James’ philosophy of dress by Celia Watson I found many statements and paragraphs to help understand from other people’s points of view.

Neither in tailoring nor in legislating does man proceed by mere Accident, but the hand is ever guided on by mysterious operations of the mind. In all his Modes, and habilatory endeavors, an Architectural Idea will be found lurking; his Body and theCloth are the site and materials whereon and whereby his beautiful edifice, of a Person, is to be built.—Thomas Carlyle, Sartor Resartus

Yet to many readers, an examination of James’s dress might seem a frivolous and trifling endeavor: The idea that any serious development of the personality takes place at the closet door will, at first blush, appear to exaggerate the importance of the mundane daily duty of dressing.  Furthermore, some readers may think a study of James’s clothing is downright petty: Is it not, after all, unfair to draw conclusions about a man on the basis of his appearance? (Celia Watson).

By Lotze: “On the contrary, the wearer herself is by feeling directly present in all the graceful curves that with feather weight touch but a few points of the skin, and yet through these points excite the most distinct sensation of the breath, lightness, and softness of their sweep. Nay, even the pleasure afforded by such a sight is derived far less from the pleasing effect of the drapery which we see than from the fact that we can transport ourselves by thought into the imaginative, joyous, or dainty vital feeling which the myriad petty impressions from the garments must infuse into the form which they conceal.”

From Lotze’s passage the reader can glean one clue to the importance James placed on clothes: They are capable of being felt as a part of the wearer’s own body, fabric extensions of the flesh.  James explained, “is the recognition one gets from his mates. We are not only gregarious animals, liking to be in sight of our fellows, but we have an innate propensity to get ourselves noticed, and noticed favorably, by our kind.”

Going further to describe the fact that we choose what we wear “the free man can—and must—decide. He issues, from within his spiritual self, a “fiat of the will.” Although habit may ensure that a person leaves the house with shoes tied and pants zipped, it is the spiritual self that decides on the particular colour, fabric, and cut of the trousers and whether the shoes will be leather, or canvas, or otherwise.  Thus, in the daily act of dressing, the individual deliberates; he chooses what information he wishes to convey about himself, what garments he wants to don as extensions of his own body, and which elements of his wardrobe best reflect his idea of himself. Clothing is a form of self-expression, a way to allude to attributes of one’s most essential being, one’s place in the world, or one’s sense of beauty. Kingfishers catch fire, politicians wear red ties; the self announces its attributes with clothing..”  To William James, clothing was about self-remembrance and self-awareness—not “self-forgetfulness” as was the etiquette of clothing at the time, to remain as inconspicuous as possible.

Several historians have pointed to the relationship between James’s literary style and his artistic sensibility; his appearance gave color and atmosphere to his philosophy. John Dewey wrote that “[James] was an artist who gave philosophic expression to the artist’s sense of the unique, and to his love of the individual.”

James recognized that certain choices—decisions about dress among them—were necessary in defining the self.  James’s clothes were appropriate to his personality, to his writing, and to his thought. His thinking was marked by color and creativity, and in his dress he made choices that signified—and perhaps contributed to—those attributes.  Our actions and decisions he would argue, chart a course for our minds, while simultaneously our minds are reflected in our outward selves.